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• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  Despite a highly acclaimed Cannes debut, the film struggled to find an audience and disappeared into total obscurity, unavailable for over four decades. In 2009, a restored version (selected...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: So the hyper-masculinity was a result of industry? TK: Maybe it sounds like a pathology. It’s not. There was nothing else to do. TS: Do you feel colonization played...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  In D.H. Lawrence’s novel Kangaroo he describes it perfectly. He says you’re totally by yourself in this vast emptiness and you think the landscape is watching you. And that...

• Re-presentations, Adaptations, and VARIATIONS

   Canadian artist Michael Snow once described his own experiments with moving images as an attempt “to make a definitive statement of pure Film space and time, a balancing of...

• Re-presentations, Adaptations, and VARIATIONS

  Although it is actually quite boring and reductive to do so, we still tend to cling to the idea of an artwork as a unique, singular, and exclusive...

• Re-presentations, Adaptations, and VARIATIONS

  For instance, in one of VARIATIONS’ most literal iterations of re-presentation, Stephen Broomer and Stuart Broomer re-create at least two (if not more) of Snow’s works including his 1960 Lac Clair[https://www.gallery.ca/en/see/collections/artwork.php?mkey=7267] painting with their...

• Re-presentations, Adaptations, and VARIATIONS

  Snow’s works and methods are re-presented and re(-)ferenced both aesthetically and formally throughout VARIATIONS. Dan Browne and Steve Richman’s Poem riffs on Snow’s concerns for framing by transcribing some of his experiments with...

• Re-presentations, Adaptations, and VARIATIONS

  Although conceived by Templeton as a project in its entirety, each of the works in VARIATIONS stand alone as a meditation on a particular word, grouping of words, feeling, or narrative...