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• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: What is it that attracts you to film as a medium, and what are your own thoughts about the status of the medium in the digital age?* KR:...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I remember you telling me something interesting about film being a physical place for you. Can you explain that? * KR: Part of what I find interesting about a...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: At the Independent Media Arts Alliance (IMAA) Analogue Film Gathering in Calgary, you participated in a discussion on the issues of inclusion within the film community. This, of...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: And, of course, there is no singular answer to the problem of inclusion in our community, but what would you say is the best step that organizations—including film collectives...

• Human Rights and Film at 150

   *ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...

• Human Rights and Film at 150

  *AC: Do any of the stories here offer a challenge or corrective to common myths about Canadian history and identity?* JP: While the stories in these films are hopeful...

• Human Rights and Film at 150

  *AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...