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The Channelers
Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization...
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The Channelers
*II: Pleasure in the Confusion of Boundaries and Responsibility in Their Construction* Artists, curators, and museum/gallery teams build the walls to hide ugly computers and assign crew to the...
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Wiretapping Pakula's KLUTE
Oblivious to the male voice talking about her, Bree Daniels (Jane Fonda) continues to dial on the rotary phone. The male voiceover, positioned over a contemplative and anonymous gaze...
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Wiretapping Pakula's KLUTE
Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....
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Wiretapping Pakula's KLUTE
Midway into the film, Bree enters a nightclub. The audience watches her enter from across the dance floor. As dancers cross in front of the camera, it becomes...
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Wiretapping Pakula's KLUTE
Notably, Bree, not the titular Klute, is featured most prominently in the film. We see her in personal, private moments—talking to her therapist, alone in her tiny apartment, walking...
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Private Rooms: Suite for Kapwani Kiwanga
How can I make time out of toxins? —Lisa Robertson A Float If I’m an archipelago of permeable particles then a seamount, deeply squatted, on its...
- Choice With Context, Endurance…, & Dr. Dre
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If you tell yourself garbage is art, is it possible to be wrong?
Film feels like an act of God, especially when you are using a half-broke camera because you are half-broke yourself. It giveth and it taketh away. Some memories...
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If you tell yourself garbage is art, is it possible to be wrong?
Collecting and examining what is discarded by popular culture seems like a secret key for cultural change. Maybe that is why indie culture, rare records, and unique but...