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• Our Lexicon of Dark Corners to Light Up is Always Expanding

  IRIS: Celluloid does carry a certain element of community in that it is a way of gathering a group of people together to experience something collectively—the analog aspect...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* The casting of Amrit Kaur from the TV series Sex Lives of College Girls as Azra, the protagonist, was perfect. How did she become involved?  *FW:* We worked...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Between voice-overs, a soundtrack of solemn string instruments creates tension, a tightening, until eventual silence; an exhale. Polina uses the camera’s perspective to move us through a broken landscape—dry,...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  The other grouping of posters includes one that lends its title to the exhibit, Thumbs That Type and Swipe. The words outline the pad of a large thumb,...

• Black box, white cube, and something in the middle

  But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up...

• Less Grey

  *TS:* *Everything you’ve done before Circle of Steel was much shorter: web series, short films, music videos… What had been your previous experience of the post-production process? * GM: When I made the second season...

• Editor's Note

  I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Grounds for the trial begin as Abbess Jeanne (Vanessa Redgrave), like most women in the film (and what is most strenuous on the film’s suspension of disbelief), falls for...

• Fostering Women and Filmmaking: 30 Years of Herland

  Somers made it her goal to work against this pattern, and looked for ways to bridge the gap and bring women’s voices forward. She theorizes that emerging female...