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• Blue Corridors: VOICES - Laura Anzola

  Many histories in Voices describe trying to fit in, adjust to their new surroundings, and find acceptance when immigrating to Calgary while also being constantly othered, navigating social, geographic...

• Blue Corridors: VOICES - Laura Anzola

  The inclusion of the humpback whale in Voices offers a blurring of human and non-human, encouraging a multi-species perspective on the violence of borders and boundaries. Micro-biomes, plants, fungi,...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *Kristen Hutchinson (KH):* What brought you to tell this story?  *Fawzia Mirza (FM):* Well, it has its roots in a short film that I made that world premiered in 2012...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* How does your film embrace lesboqueer joy, instead of the typical “bury your gays” trope that we so often see in film and TV?  *FM:* Well, I think for...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  So it was a remarkable experience across the board, working with these incredible actors, Amrit Kaur [Azra, the protagonist] and Hamza Haq [Hassan, her father] and Nimra Bucha [Mariam, her mother],...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  This scene welcomes you to the Afro-Canadian (food) stock exchange, an informal market where Afro-Canadians feed their hunger for their sizzling (African) “home cooking”. Scenes such as these have...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  But I knew I could do far more for my people (I’m originally from Nigeria, West Africa) if I could weave the Afro-Canadian stories I heard around me...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  The film’s protagonist, Keity Richardson (Schelby Jean Baptiste) is forced to intern at the morgue when she cannot find a vacancy in her preferred field of surgery shortly after...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...