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• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  AMDB’s research team also works with librarians, data specialists, and archivists to continuously enhance records in addition to expaning the database. Records are enhanced by adding archival film holdings...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  The W.O. Mitchell Archives at the University of Calgary hosts numerous drafts of the screenplay, extensive correspondence between Mitchell and director Claude Fournier, and even has a glossy, coil-bound...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  In October 1895, a decade later, Almighty Voice was arrested. In some accounts, the cow he slaughtered was the property of nearby settlers, in others it was government property;...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Though the Canadian prairies have provided the landscapes for a great many American Westerns, domestic Canadian Westerns are a rare breed indeed.⁵Alien Thunder is a far cry from...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Mitchell’s screenplay provided a sweeping portrait of prairie life in the 1890s, featuring a large, diverse cast of characters (early drafts included Doukhobors and Chinese migrant labourers), an early-narrative...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Fournier’s talents as a director sometimes outweigh the film’s difficulties. The closing two-minute series of wordless tableaus of different onlookers’ reactions to Almighty Voice’s death, culminating with a moving composition...

• Less Grey

  *Ted Stenson (TS): What stage are you currently at in post-production?* Gillian McKercher (GM): We just picture locked! We have passed off the film to our post-sound team and...

• Less Grey

  *TS:* *Everything you’ve done before Circle of Steel was much shorter: web series, short films, music videos… What had been your previous experience of the post-production process? * GM: When I made the second season...

• Less Grey

  *TS: What are the challenges in trying to shape a narrative at a feature length vs. something shorter, like a short film or music video? Do you feel like...

• That's a Bad Photo

  In an era defined by its self-consciousness, the contemporary image is clickbait, designed to appeal beyond local social communities to encapsulate a more global audience. Photographs distributed digitally often...