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As the dynamics between the women transform from an aching desire to becoming passionate lovers, the function of the film’s slow tempo and careful gaze begin to change....

It is noteworthy that during Marianne’s final days, she is haunted by prophetic, images of Héloïse in her wedding dress. Occurring right before having sex with Héloïse for the first time, and...

With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...

LeGrande’s performance begins with her standing in a field of tall, yellow grass. She is wearing a slightly transparent robe, and a crown of sticks. LeGrande explains these choices: “The markings...

 "This is a recurring theme throughout LeGrande’s body of work - her body is a method of discovery [...] There is something beautiful, vulnerable and tender about understanding and...