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• Editor's Note

  I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Calgary’s Giant Incandescent Resonating Animation Festival (GIRAF) screened Alice on November 23, 2018. A loose adaptation of Lewis Carroll’s 1865 literary classic Alice’s Adventures in Wonderland, Svankmajer’s film shares the...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Svankmajer’s film is a free adaptation, opting to rely on visual nonsense rather than the original’s verbal nonsense. Carroll’s Alice strives to get home in the end, back to...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Alice shares only a few aspects with the well-known 1951 Disney film adaptation, which also mixes in some of the characters from Carroll’s 1871 sequel Through the Looking-Glass, such...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Among the eccentric programming, artist collective WYRDOS dressed as Charlie Chaplin, performing silent comedy acts through the glass of a vacant radio recording booth inside one of the exhibition’s...

• Carlin Brown

  *Carlin Brown* is a Canadian arts writer based in Portland, Oregon. 

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: Working in a studio system for the first time and with English-speaking actors and crews required adaptation on your part. How were you able to express your...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  Despite its title, this series of films is anything but quiet. Terracciano’s use of the adverb speaks more to her approach of capturing how each artist dances. She...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  The inclusion of Emma’s character represents a trend in films about the Winnipeg General Strike towards representing marginalized communities who weren’t part of the original strike narrative. “Absences in...