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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Much of the imagery in the film, the landscapes, people, and audio recordings were the result of Moss’ travels and discoveries with Leigh Moss, who left the LDS...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
After watching DIS.ART, I turned my attention to the posters, collectively titled Onboarding: Thumbs That Type and Swipe. It consisted of seven 38" x 29" lightboxes, with design by...
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