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Native Elegance of the Soul, or Like, Whatever is framed as a walk through the Appalachian landscape. However, through rapid edits, such as, cutting out every second step...

In contrast, Mechanomorphic Nostalgia stimulates violent sensory overload by projecting two reels of film simultaneously. This splits the viewer’s attention, forcing the viewer not only to consider the entire...

Sandy McLennan’s The Last Skate (2018) is a nearly opposite film, but one which is no less radical. McLennan abstracts the horizontal landscapes of a frozen Canadian lake, destabilizing...

For years, Ryan and I had been on the peripheral of one another’s social and professional lives (we both attended the Alberta College of Art and Design and...

Two months later Ryan’s Nike-checked sneakers squeaked on Calgary’s Theatre Junction GRAND’s black-painted floor as they slid, twirled, and shimmied within a round pool of rosy spotlight in their...