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• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  The film follows the colliding worlds of ex-cops and former partners, Penner (Aaron Douglas) and Rand (Stafford Perry). Fresh out of jail, Penner is on the hunt for...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better.  What...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  The performing arts are live. Dance-on-film has a rich history and animated objects are as often spotted on the screen (stop-motion, muppets, etc.) as on the stage, but...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...