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Culture & Capital: “Real failure needs no excuse” at the Esker Foundation
THE STUDIO: THE OFFICE One houses a particularly nebulous type of labour, while the other is designed specifically to execute tasks. In the studio, where process is a goal...
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Culture & Capital: “Real failure needs no excuse” at the Esker Foundation
A REAL JOB A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...
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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
Despite a highly acclaimed Cannes debut, the film struggled to find an audience and disappeared into total obscurity, unavailable for over four decades. In 2009, a restored version (selected...
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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
In D.H. Lawrence’s novel Kangaroo he describes it perfectly. He says you’re totally by yourself in this vast emptiness and you think the landscape is watching you. And that...
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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
TS: It feels very authentic. TK: I did have Jack Thompson who was a terrific actor and became a minor star. He worked in Hollywood and was in...
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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
TS: Wake in Fright has been described as a horror film or a sort of horror-western. Was your approach to make it as a genre film? TK: No, I...
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Re-presentations, Adaptations, and VARIATIONS
Canadian artist Michael Snow once described his own experiments with moving images as an attempt “to make a definitive statement of pure Film space and time, a balancing of...
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Re-presentations, Adaptations, and VARIATIONS
Although it is actually quite boring and reductive to do so, we still tend to cling to the idea of an artwork as a unique, singular, and exclusive...
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Re-presentations, Adaptations, and VARIATIONS
For instance, in one of VARIATIONS’ most literal iterations of re-presentation, Stephen Broomer and Stuart Broomer re-create at least two (if not more) of Snow’s works including his 1960 Lac Clair[https://www.gallery.ca/en/see/collections/artwork.php?mkey=7267] painting with their...
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Re-presentations, Adaptations, and VARIATIONS
Similarly, though less literally, the first 1:45 of Evangeline Belzile and Ian William Craig’s Untitled in VARIATIONS looks a bit like a moving re-presentation of Snow’s 1965 Test Focus Field Figure[http://www.paraethos.com/images/test-focus.jpg] painting, with its three ‘test-takes’ of...