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• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Fournier’s talents as a director sometimes outweigh the film’s difficulties. The closing two-minute series of wordless tableaus of different onlookers’ reactions to Almighty Voice’s death, culminating with a moving composition...

• Less Grey

  *TS: What are the challenges in trying to shape a narrative at a feature length vs. something shorter, like a short film or music video? Do you feel like...

• Editor's Note: Cool Mud

  When I think of this image of my mom, I can feel her power. It was like some sort of magic, powers. With nothing but land in sight,...

• Lorenza Mazzetti: Free

  Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

• Lorenza Mazzetti: Free

  In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...

• Lorenza Mazzetti: Free

  In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...

• Lorenza Mazzetti: Free

  She filmed Together (1956), her story of two deaf mutes, dock-workers in East London. They are friends boarding with a family that doesn’t want or like them. Every...

• Lorenza Mazzetti: Free

  The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...