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• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* How does your film embrace lesboqueer joy, instead of the typical “bury your gays” trope that we so often see in film and TV?  *FM:* Well, I think for...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* It must have been hard to transform those images in Pakistan into the 1960s.  *FW:* Pakistan does not look the same. Karachi does not look the same. There’s just so many...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that  Sembène paved...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the...