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• A Revolution (Briefly) Embodied

  What “it” was was a revolution. Emboldened by the success of their local media practices, the Labrador Inuit put this new acumen to work to widely circulate the narrative...

• A Revolution (Briefly) Embodied

  More direct is Roger Hart’s 1973 film Labrador North, produced as part of the National Film Board’s Challenge for Change/Société nouvelle project. Hart’s film was originally supposed to chronicle the...

• A Revolution (Briefly) Embodied

  This representational practice, which had begun with public screenings of Sesame Street, brought kinatuinamot illengajuk into existence and enabled the indirect authorship of two films, would find its ends...

• Luba Diduch

  *Luba Diduch* is an installation artist and academic working with Human Computer Interaction artworks. Her research examines the ways in which architectonic schemes that surround artworks become a mechanism...

• Mark David Turner

  *Mark David Turner* obtained his undergraduate degree from Memorial University of Newfoundland and continued his studies at the University of Toronto where he earned his MA and PhD. He...

• Murray Leeder

  *Murray Leeder* is a Research Affiliate at the University of Manitoba and holds a Ph.D. from Carleton University. He the author of Horror Film: A Critical Introduction (Bloomsbury, 2018),...

• J.D. Mersault

  *J.D. Mersault* is a Calgary based writer. His art texts have been published most recently by the Art Gallery of Alberta and Untitled Art Society, and his art...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• Jason Edward Lewis: The Indigenous Future Imaginary

  Jason Edward Lewis is a champion for better futures. In collaboration with his partner, Skawennati, he has spent the last fifteen years expanding the notion of the Indigenous Future Imaginary. Seeking...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...