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• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  Yanking with all my might causes the door to close with a thunk. A final sound. The room seems even darker. As I turn, the light on the...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  Crank, more grinding, the light refocuses and I spy upon a group of artists following Edmonton artist Raylene Campbell on a sound walk. They are silent, concentrating on...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

• Kelaine Devine

  *Kelaine Devine* is a techno-crafty artist, designer and creative educator. She merges fibre, drawing, video and media arts into hybrid forms with a long history of working with emerging technologies...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Afterword by Aran Wilkinson-Blanc   A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  The exploration of what happened that summer, when Tan and her friends decided to make a movie, is a messy dive twenty years into the past. The documentary...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Though I wish we could see the original film on its own, separate from the backstory of Cardona, his imprints are everywhere in the documentary Shirkers. The two...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Regardless of the dynamics between her friends and Cardona, she was determined to do whatever she needed to get her film made. Talking about the production, Tan equates...