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• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: Wake in Fright has been described as a horror film or a sort of horror-western. Was your approach to make it as a genre film?  TK: No, I...

• Re-presentations, Adaptations, and VARIATIONS

   Canadian artist Michael Snow once described his own experiments with moving images as an attempt “to make a definitive statement of pure Film space and time, a balancing of...

• Re-presentations, Adaptations, and VARIATIONS

  Although it is actually quite boring and reductive to do so, we still tend to cling to the idea of an artwork as a unique, singular, and exclusive...

• Re-presentations, Adaptations, and VARIATIONS

  For instance, in one of VARIATIONS’ most literal iterations of re-presentation, Stephen Broomer and Stuart Broomer re-create at least two (if not more) of Snow’s works including his 1960 Lac Clair[https://www.gallery.ca/en/see/collections/artwork.php?mkey=7267] painting with their...

• Re-presentations, Adaptations, and VARIATIONS

  Similarly, though less literally, the first 1:45 of Evangeline Belzile and Ian William Craig’s Untitled in VARIATIONS looks a bit like a moving re-presentation of Snow’s 1965 Test Focus Field Figure[http://www.paraethos.com/images/test-focus.jpg] painting, with its three ‘test-takes’ of...

• Re-presentations, Adaptations, and VARIATIONS

  Snow’s works and methods are re-presented and re(-)ferenced both aesthetically and formally throughout VARIATIONS. Dan Browne and Steve Richman’s Poem riffs on Snow’s concerns for framing by transcribing some of his experiments with...

• Re-presentations, Adaptations, and VARIATIONS

  Although conceived by Templeton as a project in its entirety, each of the works in VARIATIONS stand alone as a meditation on a particular word, grouping of words, feeling, or narrative...

• Re-presentations, Adaptations, and VARIATIONS

  Furthermore, the individual works also contain references to the lives and practices of their makers. The remainder of Belzile and Craig’s Untitled, for example, feels like a narrative depiction of...

• Who Can Save the Brides of Billy?: Horror and Gender in "Black Christmas" and "The Bloody Chamber"

  The killer is in the house.  It's a classic trope that's been around since baby sitters started babysitting, since the earliest days of horror films. The underrated classic, Black...

• Who Can Save the Brides of Billy?: Horror and Gender in "Black Christmas" and "The Bloody Chamber"

  The similarities begin in the depiction of our killers, the psychotic Billy in Black Christmas, and the blood-thirsty Duke in The Bloody Chamber. Before we get any visual details,...