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Concrete constructs of linearity
Kiteâs intermittent silences punctuated her memorized script with deep pitches of audio that engulfed us within a sonic ambiance. The audience shared a unanimous quietness, consciously engaged as Kite...
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Concrete constructs of linearity
Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kiteâs open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einsteinâs...
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Concrete constructs of linearity
A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...
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Concrete constructs of linearity
On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...
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Punning Photographyâs Legacy: His dreadful glance
This is less an exhibition of photographs than an exploration of the scopic imperatives that underlay the history and practice of photography. While all representational art relies on mimesis,...
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Punning Photographyâs Legacy: His dreadful glance
This effort to make strange is heralded in the entrance to the exhibition, where the corkboards along the narrow entrance corridor have been âcuratedâ by the artist, who carefully...
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Punning Photographyâs Legacy: His dreadful glance
Directly ahead of the viewer on entering the exhibition is a framed page torn from a photography manual defining and explaining the use of available light. The page...
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Punning Photographyâs Legacy: His dreadful glance
Two untitled worksâUntitled (unravel - front) and Untitled (unravel - back)âresembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: With Process Reversal youâve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negativeâwould you say that those...