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• Bogdan Cheta

  *Bogdan Cheta* lives and works in Calgary. He hopes that one day, he can switch places with his writing: that his writing will leave the page and start living...

• Guillaume Carlier

  *Guillaume Carlier* was born in Montréal and grew up in Calgary. At an early age, he discovered film by working at The Uptown Theatre and Casablanca. He returned to Montréal to...

• Concrete constructs of linearity

  When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

• Concrete constructs of linearity

  Kite’s intermittent silences punctuated her memorized script with deep pitches of audio that engulfed us within a sonic ambiance. The audience shared a unanimous quietness, consciously engaged as Kite...

• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Punning Photography’s Legacy: His dreadful glance

  Directly ahead of the viewer on entering the exhibition is a framed page torn from a photography manual defining and explaining the use of available light. The page...

• Punning Photography’s Legacy: His dreadful glance

  Two untitled works—Untitled (unravel - front) and Untitled (unravel - back)—resembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...