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• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  *KA:  Could you speak to some of the biggest challenges facing “Western” filmmakers overall?* KW: One of the main things that arises is being able to get outside of...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  The tragic Egbert case left a long and twisted trail, and this article will discuss some some strange filmic offshoots of that hysteria: the obscure Canadian film Skullduggery (1983)...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  By the later ‘80s, anti-D&D hysteria had died down, but TSR itself was cautious enough that the words “devil” and “demon” were all but banned in new products, replaced...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Today it is striking how non-hysterical Mazes and Monsters is. Its TV movie glossiness makes it appear neutered and anodyne. Its score is especially saccharine. The other gamers are...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Skullduggery has elements of a slasher film and of a demonic possession film but regularly swerves into other genres with little warning. It even becomes a teen comedy...

• Editor's Note

  As noted in the Tate Museum description of the work: “In the House of My Father  was made for the 1997 exhibition ‘9 Nights in Eldorado’at South London Gallery which Rodney dedicated to his father...

• Stacey Cann

  *Stacey Cann* is a multidisciplinary artist, writer and PhD student working in Montreal, Quebec. She holds a BFA in Print Media from Alberta College of Art and Design, and an MA...

• Requiem for a Glacier: Mourning Climate Change

  One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...