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• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* How does your film embrace lesboqueer joy, instead of the typical “bury your gays” trope that we so often see in film and TV?  *FM:* Well, I think for...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* It must have been hard to transform those images in Pakistan into the 1960s.  *FW:* Pakistan does not look the same. Karachi does not look the same. There’s just so many...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  This scene welcomes you to the Afro-Canadian (food) stock exchange, an informal market where Afro-Canadians feed their hunger for their sizzling (African) “home cooking”. Scenes such as these have...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  But I knew I could do far more for my people (I’m originally from Nigeria, West Africa) if I could weave the Afro-Canadian stories I heard around me...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The sitcom’s pilot isn’t only about fun and laughter. It explores a number of conflicts including the difficult world of gender-identity disputes in Afro-Canadian families. Obi and Adjoa are...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The pilot delicately handles the scene where Uzo-Amani’s progressively, according to their family, “bizarre”, dress sense is finally explained in a heated confrontation with her parents. She reveals her...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  The film’s protagonist, Keity Richardson (Schelby Jean Baptiste) is forced to intern at the morgue when she cannot find a vacancy in her preferred field of surgery shortly after...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that  Sembène paved...