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• Guillaume Carlier

  *Guillaume Carlier* was born in Montréal and grew up in Calgary. At an early age, he discovered film by working at The Uptown Theatre and Casablanca. He returned to Montréal to...

• Concrete constructs of linearity

  When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

• Concrete constructs of linearity

  Kite’s intermittent silences punctuated her memorized script with deep pitches of audio that engulfed us within a sonic ambiance. The audience shared a unanimous quietness, consciously engaged as Kite...

• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• Punning Photography’s Legacy: His dreadful glance

  This is less an exhibition of photographs than an exploration of the scopic imperatives that underlay the history and practice of photography. While all representational art relies on mimesis,...

• Punning Photography’s Legacy: His dreadful glance

  This effort to make strange is heralded in the entrance to the exhibition, where the corkboards along the narrow entrance corridor have been ‘curated’ by the artist, who carefully...

• Punning Photography’s Legacy: His dreadful glance

  Directly ahead of the viewer on entering the exhibition is a framed page torn from a photography manual defining and explaining the use of available light. The page...

• Punning Photography’s Legacy: His dreadful glance

  Two untitled works—Untitled (unravel - front) and Untitled (unravel - back)—resembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...