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You searched for "Guía de la Gloria en 1974"
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Lorenza Mazzetti: Free
In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...
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Lorenza Mazzetti: Free
She filmed Together (1956), her story of two deaf mutes, dock-workers in East London. They are friends boarding with a family that doesn’t want or like them. Every...
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Lorenza Mazzetti: Free
The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...
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Lorenza Mazzetti: Free
Lorenza returned to Italy, but her struggle to make film was only just beginning. The Italian industry didn’t know what to do with her, she told me. Her...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Hiller said to Tillman, “Psi Girls deals with this sort of obsession with special powers of some human beings, in this case, of girls—now that’s a social fact.”4 Once a...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...
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The Spectacle of Power: Ken Russell's THE DEVILS (1971)
The original 107 minute X-rated British cut of Ken Russell’s controversial film, The Devils (1971) is set to be screened on DVD for the first time in Calgary...
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The Spectacle of Power: Ken Russell's THE DEVILS (1971)
Grounds for the trial begin as Abbess Jeanne (Vanessa Redgrave), like most women in the film (and what is most strenuous on the film’s suspension of disbelief), falls for...