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• That Battle is Over, Girl: Alice Schoenberg

  Her superwoman character appears in THIS IS A PROTEST (2018), performed in the dark and highlighted by a strong incandescent spotlight, and a projection on the back wall. The...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: I feel like it comes across in the film. Even the acting, everyone seems very much living in the world you created. It’s like they bought in...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: We learn it in school, we’re taught the steps.* MR: Exactly, and to some degree it can be a source of great collective action, and emancipation, but...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: So, the history of Canada is fermenting in your mind, and then Mackenzie King comes along. When does everything begin to converge with film?* MR: Well, I read...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...

• That Battle is Over, Girl: Alice Schoenberg

  During the performance Ladder(Later)al Movement (2019), my gaze wanders to the top of a yellow ladder, where the superwoman balances perilously on the steps. The precarious tension of watching...

• That Battle is Over, Girl: Alice Schoenberg

  In employing scrolling text and found footage of the Women’s March, the superwoman demonstrates the failures of this march, pointing to the consumption of activist image and failed integration...

• Intimacy and Distance: Mona Hatoum at the Western Front

  In the 1980s Hatoum created a series of videos at the Western Front that greatly informed the themes of her later artistic practice including fragmentation of skin, issues...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SHAUN CRAWFORD: According to your artist statement, "Illness is a vital meaning-making event." This is a powerful comment but notably doesn't carry any kind of value - no positive...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Your process involves immersing yourself in Canadian communities and with people experiencing illness. What Canadian communities have your collaborations taken you to and what have you taken with...