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• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: The presence of place is very prevalent in your work. A combination of literal and representative spaces. Where do these environments come from and why are they...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  We are introduced to divorcee Melanie (Dawn Van de Schoot) and her two teenage children Madison (Hailey Foss) and Timothy (Kaeleb Zain Gartner), newly moved into Aspen Ridge and...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  There is a thread in Red Letter Day that critiques surveillance culture and violence in media, but it seems less effective to me than its commentary on Calgary...

• Shaun Crawford

  *Shaun Crawford* has written for radio, commercials, web, extended reality, and film. His films have aired on CBC, HBO, The Movie Network, Showtime, and screened at festivals in Canada...

• George Kowalik

  *George Kowalik* is a student at King's College London, in the first year of an English Research PhD. He is a freelance arts writer who has had work published on...

• K. J. Aiello

  *K. J. Aiello* is a disabled writer whose previous publications have appeared in The Globe and Mail, This Magazine, Toronto Life, eTalk, The Loop and West End Phoenix. K. J.’s work tends to...

• Editor's Note

  It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers