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• Lorenza Mazzetti: Free

  The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• Intimacy and Distance: Mona Hatoum at the Western Front

  In the 1980s Hatoum created a series of videos at the Western Front that greatly informed the themes of her later artistic practice including fragmentation of skin, issues...

• Queers and Our Counterparts

  AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...

• Less Grey

  *TS:* *Everything you’ve done before Circle of Steel was much shorter: web series, short films, music videos… What had been your previous experience of the post-production process? * GM: When I made the second season...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Images of flowers are repeated throughout the film. A man finds flowers in a pile of scraped up refuse on the road. We then see the flowers again...