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• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  For years, Ryan and I had been on the peripheral of one another’s social and professional lives (we both attended the Alberta College of Art and Design and...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Two months later Ryan’s Nike-checked sneakers squeaked on Calgary’s Theatre Junction GRAND’s black-painted floor as they slid, twirled, and shimmied within a round pool of rosy spotlight in their...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Ryan performed Love Me Like There’s No Tomorrow for the M:ST (Mountain Standard Time) Performative Art Festival, a biennial event that coordinates collaborations between numerous art and performance organizations...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Los-Angeles based artist and film director William E. Jones used this 1962 Mansfield footage for his video works Mansfield (2006) and Tearoom (2007). Jones created Mansfield after finding a...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  a quiet flamenco offers the audience an opportunity to reacquaint themselves with flamenco by presenting a different relationship between sound and dance. While flamenco is traditionally a cacophonous dance,...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  This idea becomes particularly clear in two films in the series: Myriam Allard and Sarah Bronsard. The dancer in Sarah Bronsard moves across the floor using her torso as the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  The films are beautiful and moving while mysterious. Each film focuses on an individual dancer and begins with their name spoken. This acts as a relational moment: the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  In a quiet flamenco, Terracciano seems less concerned with the character and movement of flamenco and more so with the personalities - the very personhood - of the...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  George Melnyk interviews Ezban about Parallel (2018) and how working in Western Canada has impacted his career and his vision as a filmmaker. *GEORGE MELNYK: This is your first English-language film made...