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• Uncertain Frontiers: Female Identity and Rural Spaces

  The rise of the female perspective in Western film with the pioneer woman trope intended to work against idealized portrayals of settlement life often found in art made...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  While the sounds of the marsh were ever changing, its ambient presence was consistent. For listeners dealing with the incongruity of life in lockdown while witnessing the world in...

• The Channelers

    *I: False Impressions of Actualizing the Marxist Dream*   Back in 2009, Hito Steyerl’s essay, “In Defense of the Poor Image,” championed the low-resolution, degraded image. She saw the “poor...

• St. Martins, New Brunswick

  Dear Leonard, I saw an albatross at the Royal Ontario Mus eum. Not a real one, silly. In the bird gallery. There’s a glass cage like nothing you’ll ever...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  My slowing down on that April evening was analogous to the generalized state of standstill gripping the world during the spring of 2020. To reduce the spread of...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CHELSEA YANG-SMITH: How many years have you been doing photography? When did you decide to start taking on freelance work and what has that process been like so...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The Revenant places a similar emphasis on incapacitation, but the source of Glass’ difficulties is the active danger of the narrative environment. Gone is the deceptive calm of landscapes,...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Through the absence of nature’s voice, The Ocean Inside asks us what it means to take away the agency of the coral reefs in order to save them,...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...

• Editor's Note

  These questions seem particularly poignant as we enter our second Fall season of the pandemic. With almost 27,000 deaths in Canada from the disease and a fourth wave...