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• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  In anticipation of our first meeting, Polina’s film had been on my mind. As I passed the Bow River by taxi that first day in Calgary, I was...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Between voice-overs, a soundtrack of solemn string instruments creates tension, a tightening, until eventual silence; an exhale. Polina uses the camera’s perspective to move us through a broken landscape—dry,...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  After a three-year long project like Eulogy, the playfulness and camaraderie of Wreck City allowed Polina to explore the documentary format with a lighter hand and a shorter...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Although there are some thematic similarities,—abandoned buildings, places in transition—the energy of the two projects couldn’t be further from one another. Where Eulogy documents the desolate stillness and deterioration...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Among the eccentric programming, artist collective WYRDOS dressed as Charlie Chaplin, performing silent comedy acts through the glass of a vacant radio recording booth inside one of the exhibition’s...

• Carlin Brown

  *Carlin Brown* is a Canadian arts writer based in Portland, Oregon. 

• Suzette Chan

  *Suzette Chan* is an Edmonton-based journalist who has written about the visual arts, the performing arts, and the literary arts. She is a member of the editorial collective of...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  From Arsin to Gonick, Kelly to Schur, the past 100 years of films about the Winnipeg General Strike reveal as much what we don’t know about the strike...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: Working in a studio system for the first time and with English-speaking actors and crews required adaptation on your part. How were you able to express your...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  Despite its title, this series of films is anything but quiet. Terracciano’s use of the adverb speaks more to her approach of capturing how each artist dances. She...