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• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: Okay, last question—everyone here has lived in different cities at some point but now live in Calgary. Why Calgary?* EB: When I moved to Toronto for my MFA...

• Femme, Fierce, & f-stops: Women Working in Photography

  *Rocio Graham | @rociograham | rociograhamstudio.com* Rocio Graham calls Calgary home. She emigrated to Canada from Mexico in 2002. She studied art at Emily Carr University and at the...

• Femme, Fierce, & f-stops: Women Working in Photography

  *Elyse Bouvier | @elysebouvier | elysebouvier.com* Elyse Bouvier is a Western-Canadian artist based in Calgary with an MFA in Documentary Media from Ryerson University (2016) and a Bachelor of...

• Femme, Fierce, & f-stops: Women Working in Photography

  *Heather Saitz | @heathersaitz | heathersaitz.com* For over 15 years, Heather Saitz has been merging her skills as an award-winning photographer and art director to create compelling visual work,...

• Edmonton Sound Expands

  Since Kelly Ruth moved to Edmonton from Winnipeg,³she has played several solo gigs, participated in multi-artist bills, carried out an artistic residency in Iceland, and, this summer, became the...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  So far, Cinematheque has presented the most emblematic films of Kiarostami’s career, including Through the Olive Trees (1994) and the Koker trilogy Where is the Friend’s House?, And Life...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  The film opens with footage of waves filmed from above the water’s surface, with text on the screen that reads “We are Water” and the poetic narration setting...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Much has been written and discussed about the gaze of the camera: it’s patriarchal, steely glare simultaneously fetishizing and sterilizing its subjects into submission. From the lens of a...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Nature works both of its own accord and in reaction to intervention from human activities. Scientific advancements seek to simplify the complex mechanisms of nature in order to apply...