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• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  As the dynamics between the women transform from an aching desire to becoming passionate lovers, the function of the film’s slow tempo and careful gaze begin to change....

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  LeGrande’s performance begins with her standing in a field of tall, yellow grass. She is wearing a slightly transparent robe, and a crown of sticks. LeGrande explains these choices: “The markings...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

   "This is a recurring theme throughout LeGrande’s body of work - her body is a method of discovery [...] There is something beautiful, vulnerable and tender about understanding and...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  I think about this idea a lot. I’m Pakistani by heritage, born and raised on stolen land. I live in Alberta, knowing that Whiteness has claimed this land as...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  LeGrande reminds me that connection to place isn’t always inherent. When she found herself in a strange land, she reached out to those around her to build community. She shared knowledge,...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

    "I exist between two cultures, not Pakistani enough to feel at home there, and not White enough to blend in here. I wonder if there is a way to merge...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  When I moved to Edmonton nine years ago, alone, I worked as a tutor -I found little pockets of home in the mother of one girl I tutored. She would bring...

• Kathryn Armstrong

  *Kathryn Armstrong* is a consultant and media scholar who has conducted research for the Canadian Media Producers Association, worked for Ontario Creates, and the Toronto International Film Festival. She holds an...

• Laurie White

  *Laurie White* is a curator and writer from Sheffield, England, currently living in Vancouver, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Her research interests...