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• Re-presentations, Adaptations, and VARIATIONS

  For instance, in one of VARIATIONS’ most literal iterations of re-presentation, Stephen Broomer and Stuart Broomer re-create at least two (if not more) of Snow’s works including his 1960 Lac Clair[https://www.gallery.ca/en/see/collections/artwork.php?mkey=7267] painting with their...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  Toronto-based Sophy Romvari’s Oh, to Realize (2020) is an experimental film that also explores the self under lockdown. To examine how an individual can be completely lost to technology,...

• Intimacy and Distance: Mona Hatoum at the Western Front

  One might suppose that the fragmentation of the body creates a disconnection between viewer and object so that the viewer is unable to relate the videos to their...

• Hopping for Hope: Ahreum Lee at The New Gallery

  The video incorporates footage of the East Asian pseudoscience Cheok Ji Beob, which translates to “the way to make the world smaller.”¹One of the principles of Cheok Ji Beob...

• Ashley Bedet

  *Ashley Bedet* is an interdisciplinary visual artist who lives in Calgary, AB. She attendedNSCAD University and Gerrit Rietveld Academie to earn her BFA. Through a variety of mediums including installations, games,...

• Performing objects, readymade bodies

  they danced with the understanding that this was for them, eventually it was, a 32-minute video, plays on loop at the back of the space: a collage of...

• Stephen Broomer

  *Stephen Broomer* is a filmmaker and film preservationist based in Toronto. He holds a BFA in Film and Video Production, an MA in Film Studies, and a PhD in Communication...

• Intimacy and Distance: Mona Hatoum at the Western Front

  In Hatoum’s video Variations on Discord and Divisions, created at the Western Front in 1984, the boundary between the inside of the body and the outside is breached....

• Performing objects, readymade bodies

  Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I...