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• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...

• Don’t just sit, don’t just stop

  *LUMA: Yeah, I wanted to ask about that glitching. That sort of VHS-ization. I guess that's a new word…* [Laughter] AWB: Well Sabrina came to me, actually on Instagram,...

• Submissions

  Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better.  What...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...

• FAVA TV: Bringing Media Art to the Masses

  Cunningham, a founding member of FAVA, recalls why the organization came into existence in the first place. The gatekeeping of the old way of working was such that...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

• Editor's Note

  Katarzyna Kozyra’s The Rite of Spring (1999-2002) is a seven-channel video installation in which a group of older bodies, choreographed by Vaslav Nijinsky, dance to Igor Stravinsky’s ballet of the same title. As the...