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• About

  Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...

• A Failed Poet

  But for all (or perhaps because of) its genius, Frampton’s work could be hard to sit through, especially in a public theatre setting. Somewhat like how the best...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: This might be a good opportunity to speak about your current residency at Falaise Park Field House, which continues through 2017. IRIS: The Fieldhouse residency has really allowed...

• By A Shift Of Distance

  Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• A Revolution (Briefly) Embodied

  More direct is Roger Hart’s 1973 film Labrador North, produced as part of the National Film Board’s Challenge for Change/Société nouvelle project. Hart’s film was originally supposed to chronicle the...

• Handmade Portraits

  A deep but fractured connection to personal and family history is also woven through several of McIntyre’s films, as they record, refract, and obscure the past in a...

• The Epic of THE IMPOSSIBLE BLUE ROSE

  Lipton works to give the viewer a brief glance into a world that is a little brighter, darker and stranger than the one we usually inhabit. In the beginning...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  In the final film of the trilogy—the last film Yoshida ever made—Coup d’Etat (1973), Yoshida reaches back in history to February 26, 1936, when some 1,400 middle-ranking military officers,...