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• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  It is noteworthy that during Marianne’s final days, she is haunted by prophetic, images of Héloïse in her wedding dress. Occurring right before having sex with Héloïse for the first time, and...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...

• Kathryn Armstrong

  *Kathryn Armstrong* is a consultant and media scholar who has conducted research for the Canadian Media Producers Association, worked for Ontario Creates, and the Toronto International Film Festival. She holds an...

• Editor's Note

  As you hopefully know, February is Black History Month. What you might not know is that it has been celebrated in Canada since 1995 when a motion making...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  While the sounds of the marsh were ever changing, its ambient presence was consistent. For listeners dealing with the incongruity of life in lockdown while witnessing the world in...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  My slowing down on that April evening was analogous to the generalized state of standstill gripping the world during the spring of 2020. To reduce the spread of...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  *KA:  Could you speak to some of the biggest challenges facing “Western” filmmakers overall?* KW: One of the main things that arises is being able to get outside of...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...