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• The Wrong Side of the Tracks

  The car similarly acts as a rite of passage, and a symbol of class. The popular girl character, Jenna, drives herself to school in an enormous SUV. They...

• The Wrong Side of the Tracks

  The need to run away, to escape and be independent from others mixes with the desire for relationships, for sex, for friendship, for Lady Bird’s mother to talk...

• Crossing Borders

  The fences in A Very Long Line run in horizontal lines, then in tightly staggered vertical lines; most ominous are the heavy metal forms crossed to create forbidding...

• Maybe We Should Have Made That Doc

  *BB: Did you write the script in terms of shots? * CC: I don’t write in terms of shots. I just can’t think about that until it’s done....

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  In October 1895, a decade later, Almighty Voice was arrested. In some accounts, the cow he slaughtered was the property of nearby settlers, in others it was government property;...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Though the Canadian prairies have provided the landscapes for a great many American Westerns, domestic Canadian Westerns are a rare breed indeed.⁵Alien Thunder is a far cry from...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...

• Uncertain Frontiers: Female Identity and Rural Spaces

  Ultimately, the film tells a coming of age story that is also a rebuke of rural life, where the farm is a source of violence and repression, while...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  The installation also included a list of all the documented trans people who have been murdered in the last two years.¹About including the list, Osborne said, “I wanted to...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: Working in a studio system for the first time and with English-speaking actors and crews required adaptation on your part. How were you able to express your...