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• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  Both films are about the inherent tensions of difference and diversity, between truth and lies – a natural fit for works that pass Western Canada as elsewhere in...

• Editor's Note

  I agree with the artist that things will return to “normal” eventually. Hopefully we will create better forms of “normal” where we will use the pandemic as a wake-up...

• GHOST DAYS: CVD 19 Series

  This photo essay is a continuation of my ongoing project Ghost Days, a collaborative project involving spirits and the living in collaboration to share creative works. We decided to...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Khrysta Lloren’s Catfish Killer (2017) is about a serial killer lying about who they are and using online manipulation to seduce, meet, and murder straight men.¹Its satire for queers...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Lloren moved to Calgary from Cebu City, Philippines at the age of 19 and attended the Alberta College of Art and Design (ACAD) where they majored in painting....

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  In 2020 NOFAC3 directed a music video for the song “Toxigenic[https://vimeo.com/391825858]” by Khillah Khills utilizing local queer talent. It’s a culmination of the artist’s aesthetic choices, using elements of...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...

• Calling All Queers: A Spotlight on NFB Animation

  The animation draws attention (forgive the pun) to the duo’s Safer Spaces Program,which aims to make their shows a safe space for everyone: “You’re not going to feel like...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  "Listening to the Wetland Project on the 50th anniversary of Earth Day, I was compelled to accept the restriction of my normal activities and instead see it as...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  My slowing down on that April evening was analogous to the generalized state of standstill gripping the world during the spring of 2020. To reduce the spread of...