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• thirstDays No.08: SO WIDE SO LOW SO HIGH

  The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

• An object is a slow event.

  In terms of my film work, it’s hard to separate from the object. There are films that try to be completely object-free, using a macro lens or something,...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• GHOST DAYS: CVD 19 Series

  This photo essay is a continuation of my ongoing project Ghost Days, a collaborative project involving spirits and the living in collaboration to share creative works. We decided to...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  During one of my sessions of browsing these films, I was surprised by the feeling of traveling across Canada that the movies evoke as the filmmakers bring us...

• Uncertain Frontiers: Female Identity and Rural Spaces

  Ultimately, the film tells a coming of age story that is also a rebuke of rural life, where the farm is a source of violence and repression, while...

• Crossing Borders

  The fences in A Very Long Line run in horizontal lines, then in tightly staggered vertical lines; most ominous are the heavy metal forms crossed to create forbidding...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Khrysta Lloren’s Catfish Killer (2017) is about a serial killer lying about who they are and using online manipulation to seduce, meet, and murder straight men.¹Its satire for queers...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...