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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
Crank, more grinding, the light refocuses and I spy upon a group of artists following Edmonton artist Raylene Campbell on a sound walk. They are silent, concentrating on...
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Kelaine Devine
*Kelaine Devine* is a techno-crafty artist, designer and creative educator. She merges fibre, drawing, video and media arts into hybrid forms with a long history of working with emerging technologies...
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Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell
Afterword by Aran Wilkinson-Blanc A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
The exploration of what happened that summer, when Tan and her friends decided to make a movie, is a messy dive twenty years into the past. The documentary...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...
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