Search Results

You searched for "how do i use normal lighting in escape"

• Tae Haahr

  *Tae Haahr* is a writer, podcaster, and marketing consultant who’s passionate about putting Canadian film in the spotlight. She is the co-founder of marketing firm Meraki Foxx. You can...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

• Editor's Note

  As noted in the Tate Museum description of the work: “In the House of My Father  was made for the 1997 exhibition ‘9 Nights in Eldorado’at South London Gallery which Rodney dedicated to his father...

• Stacey Cann

  *Stacey Cann* is a multidisciplinary artist, writer and PhD student working in Montreal, Quebec. She holds a BFA in Print Media from Alberta College of Art and Design, and an MA...

• Requiem for a Glacier: Mourning Climate Change

  One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...

• Savanna Harvey

  *Savanna Harvey* is a multidisciplinary creator. She is an organizer of secret midnight meetings, an instigator of resistance, and a recruiter of accomplices. As a creator-performer, she has toured...

• Requiem for a Glacier: Mourning Climate Change

  To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...

• Requiem for a Glacier: Mourning Climate Change

  The text sung by the solo vocalist and chorus during the first two movements of the requiem are based on a Latin translation of a 2012 BC government press release that approved the construction of the year-round Jumbo Glacier Resort for skiing.⁵The last two...

• Image 2