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• Jason Edward Lewis: The Indigenous Future Imaginary

  Jason Edward Lewis is a champion for better futures. In collaboration with his partner, Skawennati, he has spent the last fifteen years expanding the notion of the Indigenous Future Imaginary. Seeking...

• Handmade Portraits

  This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...

• The Epic of THE IMPOSSIBLE BLUE ROSE

  Lipton is the first to tell you that, “Not knowing what will happen is the scariest thing of all.” When initially embarking on this project, Lipton had planned to migrate...

• Unexpected Images

  It is a policy of Studio C and Prospect Human Services to refrain from giving artist’s full names in order to protect the identity of their students, as they...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...

• Lindsay Sorell

  *Lindsay Sorell* is an artist and writer in Calgary, Alberta. With a special interest in relationships, art ethics, and the implications of digital media, she has participated in numerous...

• Sally Raab

  *Sally Raab* received a BFA in drawing from the Alberta College of Art and Design in 2010,and currently resides in Halifax, NS. She has curated a small handful of...

• Editor's Note

  My family rented Spy Game (2001) from Blockbuster and took it back to our shitty townhouse at 5636 Pensacola Crescent, Calgary. I watched the whole film while smelling a...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  In the final film of the trilogy—the last film Yoshida ever made—Coup d’Etat (1973), Yoshida reaches back in history to February 26, 1936, when some 1,400 middle-ranking military officers,...