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Requiem for a Glacier: Mourning Climate Change
Several times throughout the piece, the camera focuses upon the conductor. He stands alone, in the centre of the screen on an outcropping of rocks, facing the glacier in his tuxedo...
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Requiem for a Glacier: Mourning Climate Change
Another strength of the piece is the use of close-ups of the terrain of the glacier, many of which focus of the large rivulets of water flowing downward. In a number of shots, the...
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Editor's Note
These questions seem particularly poignant as we enter our second Fall season of the pandemic. With almost 27,000 deaths in Canada from the disease and a fourth wave...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
Victoria, BC based artist Colton Hash’s work deals directly with the data produced by the physical world and reflects it in a digital space. The relationship he creates between physical, data,...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.1Although the interactions are less complex...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...
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PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
*GC: What did you learn about Montréal when you made this film?* JL: I learned many things. I did a film before in Gaspésie, and the people who said...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...