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You searched for "nga ye tha pait dthar"
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Human Rights and Film at 150
*AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...
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The Language of Trees
The Heritage Tree I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...
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Sheena Manabat
*Sheena Manabat* is a Master’s student at the University of Calgary in Communications, Media and Film. Her interests include cultural identity, policy, new media and amateur cinema. Sheena is...
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Berkley Brady
*Berkley Brady* is a filmmaker based out of Calgary, Alberta, who got her start in film through a Telefilm initiative in 2006. Since then, she has played a...
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St. Martins, New Brunswick
My boots draw pools of water that suck themselves flat. Folded on rose-bordered stationary, a letter sticks under the band of my bralette (that’s what the saleswoman called it)....
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St. Martins, New Brunswick
I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...
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Performing objects, readymade bodies
Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...
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Don’t just sit, don’t just stop
Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...
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Don’t just sit, don’t just stop
*LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...
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Don’t just sit, don’t just stop
*LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...