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  • Human Rights and Film at 150

    *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

  • The Language of Trees

           The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

  • Sheena Manabat

    *Sheena Manabat* is a Master’s student at the University of Calgary in Communications, Media and Film. Her interests include cultural identity, policy, new media and amateur cinema.  Sheena is...

  • Berkley Brady

    *Berkley Brady* is a  filmmaker based out of Calgary, Alberta, who got her start in film through a Telefilm initiative in 2006. Since then, she has played a...

  • St. Martins, New Brunswick

    My boots draw pools of water that suck themselves flat. Folded on rose-bordered stationary, a letter sticks under the band of my bralette (that’s what the saleswoman called it)....

  • St. Martins, New Brunswick

    I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...

  • Performing objects, readymade bodies

    Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...

  • Don’t just sit, don’t just stop

    Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...

  • Don’t just sit, don’t just stop

    *LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...

  • Don’t just sit, don’t just stop

    *LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...

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