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You searched for "nga ye tha pait dthar"

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

• By A Shift Of Distance

  Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• By A Shift Of Distance

  3 Women demonstrates how Altman's creative development has arrived at an apt capability to eloquently explore more complex and stranger aspects of human nature by 1977. McCabe & Mrs....

• A Revolution (Briefly) Embodied

  This representational practice, which had begun with public screenings of Sesame Street, brought kinatuinamot illengajuk into existence and enabled the indirect authorship of two films, would find its ends...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• Jason Edward Lewis: The Indigenous Future Imaginary

  Jason Edward Lewis is a champion for better futures. In collaboration with his partner, Skawennati, he has spent the last fifteen years expanding the notion of the Indigenous Future Imaginary. Seeking...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

• Handmade Portraits

  A deep but fractured connection to personal and family history is also woven through several of McIntyre’s films, as they record, refract, and obscure the past in a...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...