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You searched for "nga ye tha pait dthar"
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Naked and Alone at The Threshold Between Two Worlds
Coloured light blazes into the gallery, tinted by vinyl applied in geometric shapes to the surrounding half-moon windows up high—a work itself titled Eyes Breathing In, Eyes Breathing Out. Appearing like...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...
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Concrete constructs of linearity
When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...
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Concrete constructs of linearity
On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KR: And, of course, there is no singular answer to the problem of inclusion in our community, but what would you say is the best step that organizations—including film collectives...
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Human Rights and Film at 150
*ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...
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Human Rights and Film at 150
*AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...