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• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  After watching DIS.ART, I turned my attention to the posters, collectively titled Onboarding: Thumbs That Type and Swipe. It consisted of seven 38" x 29" lightboxes, with design by...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  Another poster features a figure (or two, depending on how you read the image) that appears to be collaged from commercial stock photos. The head belongs to a...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  In their artist statement Osborne asserts, “the work confronts transgender cinematic tropes and the erasure of transgender people in mainstream media…A Thousand Cuts creates new meanings through a crescendo-like...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  Edmonton trans writer and artist Alexa Thompson discussed her reactions to A Thousand Cuts, “A lot of the examples played it for comedy. Either it's funny because men...