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• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: So, the history of Canada is fermenting in your mind, and then Mackenzie King comes along. When does everything begin to converge with film?* MR: Well, I read...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...

• That Battle is Over, Girl: Alice Schoenberg

  In employing scrolling text and found footage of the Women’s March, the superwoman demonstrates the failures of this march, pointing to the consumption of activist image and failed integration...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SHAUN CRAWFORD: According to your artist statement, "Illness is a vital meaning-making event." This is a powerful comment but notably doesn't carry any kind of value - no positive...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Your process involves immersing yourself in Canadian communities and with people experiencing illness. What Canadian communities have your collaborations taken you to and what have you taken with...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: The presence of place is very prevalent in your work. A combination of literal and representative spaces. Where do these environments come from and why are they...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  We are introduced to divorcee Melanie (Dawn Van de Schoot) and her two teenage children Madison (Hailey Foss) and Timothy (Kaeleb Zain Gartner), newly moved into Aspen Ridge and...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  There is a thread in Red Letter Day that critiques surveillance culture and violence in media, but it seems less effective to me than its commentary on Calgary...

• Shaun Crawford

  *Shaun Crawford* has written for radio, commercials, web, extended reality, and film. His films have aired on CBC, HBO, The Movie Network, Showtime, and screened at festivals in Canada...