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• Editor's Note

  For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

• Editor's Note

  Lozano-Hemmer’s works are immersive and interactive dialogues with technology, often placing the body of the viewer at the centre of the artworks. The exhibition “includes a 30 metre long...

• Editor's Note

  Lozano-Hemmer comments on art during the pandemic: With the continued devastation of COVID-19, experts have predicted that Museums will take years to recover, that crowded shows will be a...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Khrysta Lloren’s Catfish Killer (2017) is about a serial killer lying about who they are and using online manipulation to seduce, meet, and murder straight men.¹Its satire for queers...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Lloren moved to Calgary from Cebu City, Philippines at the age of 19 and attended the Alberta College of Art and Design (ACAD) where they majored in painting....

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Shot on an early 2000s using a digital camcorder, the participatory documentary showcases the specific moment in time that our group of friends and the extended queer community were...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  In 2020 NOFAC3 directed a music video for the song “Toxigenic[https://vimeo.com/391825858]” by Khillah Khills utilizing local queer talent. It’s a culmination of the artist’s aesthetic choices, using elements of...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Yet, art institutions have fallen under more scrutiny in the context of the pandemic.⁸Though artists are expected to continue production for income and reputation, online art production has changed the...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  If existing media systems and networks maintain and monetize off of colonialism, exploitation, state-sanctioned violence, and follow patriarchal operation manuals, then how do practices intent on resisting these motives...