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• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In Disembodied Beings (2019), Olafson contemplates the relationship between the  corporeal and digital body by mirroring a video of a physical person with the movements of the avatar, overlaid with an audio description of...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What limitations from conventional documentary filmmaking are you resisting? I can feel that there are conventions that you are getting rid of. For instance, the lack of names,...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What did you learn about Montréal when you made this film?* JL: I learned many things. I did a film before in Gaspésie, and the people who said...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...