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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
The performing arts are live. Dance-on-film has a rich history and animated objects are as often spotted on the screen (stop-motion, muppets, etc.) as on the stage, but...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...
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Teresa Tam
*Teresa Tam* is an artist from and based in Calgary, Canada. Her practice utilizes spaces and experiences that are familiar and then alters them into something a bit...
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THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza
*KH:* This is your first feature as a director, what were the challenges that you faced in making the film? It was only after the fact that I had the reflection...
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THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza
*KH:* The casting of Amrit Kaur from the TV series Sex Lives of College Girls as Azra, the protagonist, was perfect. How did she become involved? *FW:* We worked...
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Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau
*TT:* For you, what are some challenges you've had over the years, especially as someone who's an Asian woman? What are some things you wish you had known...
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Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau
*Vicki Van Chau (VVC):* I'm a media artist and cultural worker here in Calgary, Alberta. I went to the Alberta College of Art and Design, now the AUArts,...
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Editor's Note
I am grateful to be given the opportunity by EMMEDIA and CSIF to edit this 25th publication milestone. Thanks also to the editorial committee for this issue: Suzette Chan, Katie...